Over the last two years (has it really only been two?) I have enjoyed watching the different campaigns unveil and update their websites. Each site has been unique but each also contained similar elements. Several times, I purposed to write a comparison review of the sites but that never made it past some initial research.

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Located at the top of the Adobe's Almaden Tower in San Jose, CA, is a LED semaphore. This semaphore was build as a large public art display by New York artist Ben Rubin.

Made up of 4 large wheels a slot or line in the middle, the semaphore was able to represent up to 256 unique characters. When the semaphore began transmission on August 7, 2006, Adobe turned it into a contest. The contest that Adobe sponsored was to decode what message was being sent via the semaphore. In addition to the visual message, they also broadcast an audio transmission over a low-power AM transmitter.

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This year's HOW Design Conference was (also) 16 hours a day of design and creative inspiration.

More How Conference Photos

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Allan Haley, type guru and prolific typography author (see More About Allan Haley below), spoke to the Orlando AIGA chapter. Haley appears to know more about type than I know about most other subjects combined. But the focus of his presentation was on the power of non-font typography or words created without the use of digital fonts.

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This is an amazing ad for a French energy company, Areva. In only 45 seconds, it does a wonderful job of explaining a very complicated process. You can also see what went on in making the ad too.

Hat tip to information aesthetics.

I was reading on nytimes.com and absentmindedly double-clicked a word in the article body. Up popped a window with the definition of the word I clicked on. Turners out that every word in the article body has that feature. It's a great way to be able to expand your vocabulary when you are reading online.